
No Way to Treat a Lady
1968

1993
RDirector
Alan Spencer
Runtime
93 minutes
Average Rating
No ratings yetSynopsis
Lowly hotel clerk Matthew Welch stumbles unto a chance to go on a date with supermodel Hexina by pretending he is someone else. But something goes wrong on the date, she tries to kill him! Soon she kills a couple more people, and unfortunately all the evidence points to Matthew. Gloria, who has been wishing Matthew would ask her on a date, thinks he is innocent and is willing to help, but hardnosed Detective Ferguson is hot on the clues, and closing in on Matthew.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film follows conventional heteronormative structures typical of early 90s comedy. There is no evidence of non-cisnormative identities or same-sex intimacy.
Gender Representation
Hexina serves as a dangerous femme fatale, while Matthew occupies the role of a bumbling hero. The film relies on these traditional gendered archetypes without deeper nuance.
Racial & Ethnic Diversity
The cast appears homogeneous, reflecting mainstream suburban comedies of the era. There is no evidence of significant racial blending or multicultural exploration.
Religious & Cultural Diversity
The story operates within a standard Western, middle-class framework. It lacks any critique of religion or Western institutions, focusing instead on supernatural slapstick.
Disability Representation
No neurodivergence or physical disabilities are central to the character arcs. The supernatural curse serves as a comedic device rather than an exploration of lived experience.
Strengths
Areas for Improvement
AI Analysis
Hexed is a product of its time, functioning as a genre-specific slapstick comedy that prioritizes physical humor over social depth. The narrative relies heavily on established tropes, such as the bumbling male protagonist and the deadly femme fatale, which reinforces traditional gender dynamics rather than challenging them. The film lacks intentionality regarding intersectional representation. The cast and setting reflect a homogeneous, Western middle-class status quo, offering little in the way of racial, cultural, or LGBTQ+ diversity. It remains a self-contained supernatural comedy that avoids any meaningful engagement with systemic power structures or diverse identities.

1968

2011

1997

1980

2001

2000

2004

1947

1998

1992

1992

1956
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.