
The Divine Order
2017

Representation Score
Limited
1986
Director
Mario Monicelli
Runtime
120 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Monicelli’s film effectively challenges traditional gender roles by highlighting a female protagonist who excels in managing an estate independently. Her success contrasts with the limitations of male characters, emphasizing female competence and independence. However, the film lacks diversity in terms of race, ethnicity, and LGBTQ+ representation, reflecting the homogeneity of its setting. Despite this limitation, it still manages to question the stability of traditional male leadership.
Category Breakdown
The film focuses on heterosexual relationships and does not include any LGBTQ+ characters or themes.
The story revolves around a strong female protagonist who outperforms male characters in practical management, challenging traditional gender roles.
The cast is primarily made up of people from similar backgrounds, reflecting the specific Italian socioeconomic context of 1986.
The film offers a mild critique of traditional Western patriarchal structures, suggesting that these institutions can be restrictive.
There are no significant representations of visible or invisible disabilities that play a central role in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
A multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.

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