
All Ladies Do It
1992

1986
Director
Mario Monicelli
Runtime
120 minutes
Average Rating
No ratings yetSynopsis
A multifaceted exploration of the pointlessness of sexual stereotypes. Liv Ullmann is a countess who, after her divorce, takes over the family farm. Realizing that she can't rely on the patriarchal society structure for assistance, Ullmann runs the farm herself with the help of her female servants and relatives. When the Count (Philipe Noiret) comes back into her life, he and his male buddies find themselves outclassed by the expertise of the ladies.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film operates within a traditional heteronormative framework. There is no evidence of non-cisnormative identities or same-sex intimacy present in the narrative.
Gender Representation
The story centers on a female protagonist who demonstrates superior competence and agency. It subverts patriarchal hierarchies by showing women outclassing men in practical management.
Racial & Ethnic Diversity
The cast is largely homogeneous, reflecting the specific Italian socioeconomic milieu of 1986. There is no evidence of significant racial diversity within the ensemble.
Religious & Cultural Diversity
The narrative offers a moderate critique of traditional Western patriarchal structures. It suggests these institutions can be limiting, though it remains a social comedy.
Disability Representation
There are no prominent depictions of visible or invisible disabilities that serve as central narrative drivers in this work.
Strengths
Areas for Improvement
AI Analysis
Monicelli’s film is a targeted subversion of gender roles, prioritizing female agency over traditional patriarchal leadership. The protagonist's ability to manage an estate independently challenges the effectiveness of the male characters. However, the film is limited by its era, showing very little racial or LGBTQ+ diversity. It functions as a localized character study rather than a multi-ethnic exploration. Ultimately, the film's progressive value lies in its deconstruction of the 'stable male leader' trope, even while remaining within a traditional social framework.

1992

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