
The Song of Assisi
1967

Representation Score
Limited
1967
Director
Jonas Mekas
Runtime
3 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Song of Avila is an experimental documentary that prioritizes sensory impressions of a landscape over character-driven social commentary. Because it lacks a scripted narrative, it does not engage with traditional social hierarchies or demographic representation. While the film scores low on demographic breadth, it excels in cultural subversion. By viewing a Spanish holy site through the lens of Meher Baba’s teachings, Mekas bypasses rigid Western institutional frameworks in favor of a universalist, meditative spirituality. Ultimately, the film's diversity lies in its formal disruption of documentary objectivity rather than in the presence of diverse human characters.
Category Breakdown
The film focuses on landscape and spiritual impressions and does not include any LGBTQ+ characters or gender-nonconforming identities.
The work lacks a central cast or character development. It maintains a neutral stance by avoiding traditional gender hierarchies, though it does not have the means to challenge them.
The footage primarily reflects the local demographic of Avila, Spain. While it avoids harmful stereotypes, it lacks intentional casting or representation that includes multiple racial backgrounds.
Mekas approaches the holy site through Meher Baba’s teachings rather than strict Church structures. This prioritizes a subjective, non-Western spiritualism over standard Western religious narratives.
There is no visible evidence of characters with disabilities being used as plot devices or portrayed with specific ability to act within the film.
Present on Screen
Limited or Absent
Official Synopsis
Filmed during Jonas Mekas’s visit to Avila in 1967, this short records his impressions of the city, inspired by Meher Baba’s teaching that it was one of Europe’s holy places. The footage was later incorporated into his 2003 compilation film Travel Songs (1967–1981).

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