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One, But a Lion!

Name: One, But a Lion!
Director: Gustaf Molander
Released: 1940
Duration: 94 min

Representation Score

1.4/10

Minimal

1940

Director

Gustaf Molander

Runtime

94 minutes

Average Rating

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New Showbiz Analysis

One, But a Lion! is a traditional period comedy that mirrors the demographic homogeneity of early 20th-century Swedish cinema. It centers on character-driven narratives within the social constraints of its era. The film excels in exploring women's ability to drive the story and emotional complexity. However, it remains bound to the traditional hierarchies and demographic norms of the time. Overall, the work does not delve into the systemic deconstruction of identity or power dynamics, reflecting its historical and social context.

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Category Breakdown

Does One, But a Lion! have LGBTQ+ representation?

Minimal

The film does not include any characters with LGBTQ+ identities. The romantic relationships follow traditional social structures of 19th-century Sweden.

How does One, But a Lion! portray gender?

Fair

The story focuses on a female protagonist's emotional journey and social challenges. It provides a detailed look at how women navigate a rigid social hierarchy.

How racially and ethnically diverse is One, But a Lion!?

Minimal

The cast is made up of actors who reflect the demographics of 19th-century Sweden. There are no non-white characters or attempts at color-blind casting.

How does One, But a Lion! represent religion and culture?

Limited

This period piece examines class distinctions and social norms. It adheres to the social frameworks of the time without challenging Western or capitalist ideologies.

Does One, But a Lion! include disability representation?

Minimal

There are no characters with visible or invisible disabilities featured in the narrative or used as central plot points.

Present on Screen

The film provides a nuanced look at the emotional complexity of women.
It highlights the social constraints faced by women.

Limited or Absent

The cast lacks racial and ethnic diversity, reflecting a homogeneous period setting.
There is no representation of LGBTQ+ identities or non-traditional narratives.
The film does not feature characters with visible or invisible disabilities.

Official Synopsis

The fashion house boss Harry Martin has invited all his staff to a crayfish party at his home.

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