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Here Come the Co-Eds

Name: Here Come the Co-Eds
Director: Jean Yarbrough
Released: 1945
Duration: 90 min

Representation Score

1.4/10

Minimal

1945

Director

Jean Yarbrough

Runtime

90 minutes

Average Rating

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New Showbiz Analysis

Here Come the Co-Eds is a typical 1940s escapist comedy that upholds the social hierarchies of its time. While Molly drives the plot through her academic goals, the film remains tied to traditional comedic structures. The production lacks diverse representation, presenting a homogeneous cast and a narrative that maintains rather than challenges cultural norms. Ultimately, the film prioritizes established social structures and conventional character dynamics over any disruption of cultural norms.

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Category Breakdown

Does Here Come the Co-Eds have LGBTQ+ representation?

Minimal

The film follows the traditional heterosexual norms of 1940s studio comedies, with no representation of LGBTQ+ identities or same-sex relationships.

How does Here Come the Co-Eds portray gender?

Fair

Molly plays a significant role in driving the story through her academic pursuits. However, the resolution leans heavily on male involvement in the sports subplot.

How racially and ethnically diverse is Here Come the Co-Eds?

Minimal

The casting reflects the homogeneous standards of Monogram Pictures in 1945, lacking significant racial diversity or blended identities.

How does Here Come the Co-Eds represent religion and culture?

Limited

The story adheres to traditional Western values, focusing on preserving a college without critiquing Western institutions or capitalism.

Does Here Come the Co-Eds include disability representation?

Minimal

There is no representation of physical or neurodivergent identities. Characters are portrayed within the bounds of able-bodied comedic roles.

Present on Screen

Molly takes a leading role by pursuing her academic goals.
Female characters actively participate in the central scheme to save the college.

Limited or Absent

The film lacks racial and ethnic diversity, reflecting the limitations of 1945 studio productions.
The narrative relies on traditional structures and lacks LGBTQ+ representation.
There is no representation of physical or neurodivergent identities.

Official Synopsis

Molly, her brother, Slats, and his pal, Oliver, are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby's progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school's mortgage if Molly isn't expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

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