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It's in the Air

It's in the Air

Representation Score

1.6/10

Minimal

1938

Not Rated

Director

Anthony Kimmins

Runtime

87 minutes

Average Rating

No ratings yet

New Showbiz Analysis

It's in the Air is a product of its 1938 temporal context, functioning as a traditional comedy that reinforces established social and institutional hierarchies. The narrative architecture prioritizes the protagonist's assimilation into the RAF rather than disrupting that structure. The film relies on classic 'fish out of water' clichés and mistaken identity to drive its humor. While it offers a minor challenge to military decorum through accidental competence, it lacks complexity in reflecting multiple aspects of identity. Ultimately, the work focuses on class-adjacent humor and conventional romantic clichés, offering little representation outside of the dominant social norms of the era.

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Category Breakdown

Does It's in the Air have LGBTQ+ representation?

Minimal

The film centers on a heterosexual relationship and does not include any non-binary or transgender characters or critiques of the assumption that everyone is straight or cisgender.

How does It's in the Air portray gender?

Limited

Gender roles are traditional, with the female character mainly serving as a romantic catalyst. The story focuses on male-dominated institutional spaces and military hierarchies.

How racially and ethnically diverse is It's in the Air?

Minimal

The film depicts a homogeneous social environment with no visible racial diversity. The focus on the Royal Air Force suggests a lack of diverse casting and representation of different racial backgrounds.

How does It's in the Air represent religion and culture?

Fair

The story aligns with traditional Western institutions and British military service. The resolution upholds the institution without challenging its underlying systemic nature.

Does It's in the Air include disability representation?

Minimal

There is no evidence regarding the portrayal of physical or neurodivergent disabilities.

Present on Screen

  • The film provides a lighthearted critique of the rigidity of military inspections through the protagonist's accidental heroism.

Limited or Absent

  • The narrative lacks racial diversity and diverse casting.
  • Gender dynamics are conventional, with female characters serving primarily as romantic catalysts.
  • The story lacks representation of LGBTQ+ identities or non-assuming gender matches what was assigned at birth perspectives.

Official Synopsis

George Brown is rejected as an Air Raid Warden and in doing so sees his potential to join the Royal Air Force. His dreams could soon come true as he realises that in fact his friend has left behind some very important papers, he dons a his Royal Air Force uniform and delivers the papers when he is mistaken for a dispatch driver from HQ. He soon becomes the butt of jokes from his sergeant which ends him staying indefinitely at the air base. George soon falls in love with the Sergeant Major's daughter and when he discovers his real identity he threatens to report him. On the day of an annual inspection George attempts to escape the base and ends up in a plane, while the inspecting officer watches on, George's plane display is mesmerizing and the inspecting officer insists he should be commended, in order to save their skins George manages to land the plane and is accepted as a flyer by the RAF.

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