
Still Tickin': The Return of 'A Clockwork Orange'
2000

Representation Score
Excellent
2002
Director
Paul Joyce
Runtime
50 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Hell on Earth serves as a scholarly exploration of transgressive art, focusing on how religious and social institutions shape individual identity. It succeeds by highlighting the voices of those involved in the original subversion of social norms. The documentary interrogates power dynamics and bodily autonomy, using the history of Ken Russell's work to challenge established moral frameworks and institutional dogma. However, the film's narrow focus on European cinematic history limits its racial and ethnic diversity.
Category Breakdown
The film references Ken Russell's work and includes Murray Melvin, connecting to non-traditional performance histories and roles. This adds layers to the LGBTQ representation.
Georgina Hale's involvement highlights a female perspective that challenges traditional gender roles and religious repression. The film examines how Russell's work subverted these norms.
The production focuses on a specific European historical and cinematic period. There is no evidence of significant racial subversion or demographic breadth within this documentary framework.
The film critiques traditional Western institutions by examining the intersection of Church and state. It portrays religious authority as a systemic force that can lead to oppression and dogma.
The documentary explores themes of psychological distress and mental instability, moving beyond sanitized views of mental health and wellness.
Present on Screen
Limited or Absent
Official Synopsis
Hell on Earth is a documentary about Ken Russell's 1971 film, The Devils. Film critic Mark Kermode chats to Russell as well as two of the film’s stars, Georgina Hale and Murray Melvin. Also included are scenes that were cut from the released film for being too controversial.

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