
Great Bolshy Yarblockos!: Making 'A Clockwork Orange'
2007

Representation Score
Limited
2000
Director
Paul Joyce
Runtime
44 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Still Tickin': The Return of 'A Clockwork Orange' functions as a sophisticated meta-commentary on media influence and censorship. It prioritizes the deconstruction of institutional power over direct demographic representation. The documentary shines in its critique of Western institutions and moral gatekeepers, providing a platform to analyze the intersection of social control and individual morality. However, the film lacks breadth in identity-based representation, focusing heavily on a specific British cultural and political context, which limits its scope for diverse racial or LGBTQ+ perspectives.
Category Breakdown
The documentary touches on the tension between individual expression and societal policing of straight relationships. However, it lacks specific representation of LGBTQ+ identities or character arcs focused on queer individuals.
The film examines how societal structures respond to aggressive masculine behaviors and traditional gender roles. It looks at how state and media policing reinforces these gendered expectations.
The narrative focuses primarily on the British cultural and political landscape. There is no significant representation of diverse, non-Anglo-Saxon characters or multi-layered racial dynamics.
The documentary excels at critiquing the role of traditional Western institutions and moral gatekeepers. It explores the tension between individual actions and systemic attempts to regulate social behavior.
The subject matter is centered on cultural criticism rather than the lived experiences of those with disabilities. There are no specific narratives regarding visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Produced by Channel 4, Still Tickin´: The Return of A Clockwork Orange examines the controversy over Kubrick’s iconic film, explaining the film’s “demonic level of attention,” and its influence on culture, politics and society, which led to the director’s self-imposed ban.

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