The film contains no depictions of non-cisnormative identities or same-sex intimacy. Romantic tension is strictly heteronormative, centered on the mummy's obsession with a female likeness.

Gender hierarchies are traditional, with male characters acting as investigators and protectors. The female protagonist, Isobel, serves primarily as a passive object of desire and a plot catalyst.

The narrative perspective is heavily centered on a British archaeological expedition. The Egyptian setting serves as a backdrop for Western exploration, reflecting a colonial-era lens.

The story presents a clash between modern science and ancient mysticism. It utilizes ancient evil tropes to validate modern stability rather than critiquing Western institutions.

The mummy is portrayed through physical deformity to heighten a sense of the uncanny. His speechless, grotesque state is used as a device for horror rather than providing agency.