The film adheres strictly to 1930s heteronormative conventions. There is no presence of non-cisnormative identities or same-sex intimacy within the narrative.

Narrative agency is concentrated in male characters like Baron Frankenstein and Waldman. Female characters, such as Maria, serve primarily as secondary figures or romantic interests.

The production features a largely homogeneous, Eurocentric cast. It lacks intentional racial blending, presenting a singular cultural perspective typical of its era.

The story explores scientific ethics within a traditional Western moral framework. It utilizes Gothic tropes rather than offering a systemic critique of religion or social institutions.

The Monster is portrayed through the horror trope of the 'othered' body. This depiction serves as a catalyst for terror rather than a nuanced exploration of disability.