The film follows a conventional heteronormative structure. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the character arcs.

Female characters like Mary Morstan function primarily within domestic spheres, acting as catalysts for the male protagonists. Power dynamics center on the intellectual and physical dominance of Holmes and Watson.

The narrative explores the consequences of the Indian Rebellion of 1857. However, casting and character agency reflect the era's typical approach to non-Western subjects and the colonial divide.

The plot explores the friction between Western stability and the aftermath of colonial expansion. The moral landscape focuses on individual vengeance rather than a systemic critique of Western institutions.

There is no significant focus on neurodivergence, physical disability, or mental health. Characters are defined by social status and professional competence rather than their navigation of disability.