
The Funeral
1984

Representation Score
Excellent
1968
Not RatedDirector
Nagisa Ōshima
Runtime
118 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Nagisa Ōshima’s work is a radical interrogation of social and political hierarchies. By centering a underrepresented Korean subject, the film dismantles post-colonial power dynamics and challenges the perceived infallibility of the state. While the film excels in critiquing institutional authority, it lacks explicit representation of physical or neurodivergent disabilities. Instead, it focuses on psychological and existential struggles.
Category Breakdown
The film explores the fluidity of identity and gender performance through surreal sequences. It deconstructs traditional gender norms by using dreamlike vignettes rather than conventional romance.
Female characters play complex, confrontational roles within a male-dominated legal landscape. They avoid submissive clichés and highlight the tension between individual ability to act and institutional control.
The film centers on a Korean man navigating the Japanese judicial system to critique post-colonial power dynamics. It highlights systemic inequality and questions the legitimacy of state authority.
The film critiques Western-aligned institutional structures and capitalist social orders. It portrays the state as a source of systemic dysfunction rather than a protector of order.
The film focuses on psychological and existential disruptions rather than physical or neurodivergent traits. Surrealist elements touch upon the fragility of the human psyche.
Present on Screen
Limited or Absent
Official Synopsis
A Korean man is sentenced to death in Japan but somehow survives his execution, sending the authorities into a panic about what to do next.

1984

1955

1961

2002

1977

1968

1963

1960
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.