
A Woman
1915

Representation Score
Minimal
1909
Director
D.W. Griffith
Runtime
2 minutes
Average Rating
No ratings yetNew Showbiz Analysis
D.W. Griffith's early short film follows a typical comedy of errors, focusing on situational misunderstandings rather than social commentary. The plot centers on a group of bachelors expecting a child who turns out to be a seventeen-year-old woman. The film reflects the traditional framework of the Edwardian era, using conventional gender roles and a homogeneous social setting. It offers little in terms of characters who reflect more than one aspect of diversity or systemic critique. Ultimately, the work serves as a period-specific domestic comedy, prioritizing light-hearted social satire over any meaningful challenge to the established social hierarchies of the time.
Category Breakdown
The film revolves around a misunderstanding involving a boarding house and a visiting young woman. There are no characters with non-straight or non-cisgender identities, nor any depiction of same-sex relationships.
Female characters play key roles in driving the plot, but the humor often relies on male characters' expectations. The film briefly subverts the 'little darling' cliché, but it doesn't challenge traditional gender hierarchies.
The cast seems uniform within the context of early 20th-century cinema. There are no non-white actors or diverse casting to break social norms.
The story highlights social etiquette and the embarrassment of social mistakes. It upholds traditional social structures and Western propriety without questioning established institutions.
There are no characters with visible or invisible disabilities in the story.
Present on Screen
Limited or Absent
Official Synopsis
This might be termed a comedy of errors, for the overzealousness of a lot of good-hearted simple folks places them in a rather embarrassing position. Lillie Green, who keeps a boarding house, receives a letter from her old school chum, Polly Brown, whom sin hasn't seen in years, to the effect that as Lillie has never seen her little darling daughter, she will send her for a few days' visit, asking that someone meet the child at the 3:40 train. Lillie's boarders are a bunch of kind-hearted bachelors, who at once prepare to give the "Little Darling" the time of her life, buying a load of toys, etc., for her amusement, also procuring a baby carriage with which to meet her at the train. You may imagine their embarrassment when they find that Tootsie, instead of being a baby, proves to be a handsome young lady of seventeen, whose tastes run rather to garden gates, shady lanes and quiet nooks, than toys. (Moving Picture World)

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