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Duel at Diablo

Name: Duel at Diablo
Director: Ralph Nelson
Released: 1966
Duration: 105 min

Representation Score

1.0/10

Minimal

1966

Director

Ralph Nelson

Runtime

105 minutes

Average Rating

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New Showbiz Analysis

Duel at Diablo is a classic mid-century Western that follows traditional genre conventions. The story focuses on masculine leadership and heterosexual relationships, reinforcing established social norms. While it explores themes of inter-ethnic connection through the protagonist’s relationship with his Native American wife, it does so using familiar plot devices. The film does not challenge or question the racial or cultural hierarchies of the time. Ultimately, it supports patriarchal structures and individualist ideals, lacking representation for LGBTQ+ identities or individuals with disabilities.

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Category Breakdown

Does Duel at Diablo have LGBTQ+ representation?

Minimal

The film does not include any characters with LGBTQ+ identities, sticking to traditional heterosexual relationships.

How does Duel at Diablo portray gender?

Limited

Women in the film are mostly confined to supporting roles or domestic duties, while male characters have the majority of the narrative ability to act.

How racially and ethnically diverse is Duel at Diablo?

Limited

The movie includes Apache characters and touches on inter-ethnic relationships, but the portrayal is based on older genre conventions and a predominantly white perspective.

How does Duel at Diablo represent religion and culture?

Limited

The storyline emphasizes rugged individualism and frontier justice, without questioning the influence of Western institutions such as the military or capitalism.

Does Duel at Diablo include disability representation?

Minimal

There are no characters with physical, sensory, or neurodevelopmental disabilities featured in the film.

Present on Screen

Explores themes of inter-ethnic connection through the protagonist's relationship with his Native American wife.

Limited or Absent

Reinforces traditional gender roles by limiting women to secondary or domestic roles
Relies on mid-century genre conventions for portraying Apache characters
Lacks representation of LGBTQ+ identities and individuals with disabilities
Does not critique Western institutions, focusing instead on traditional authority and individualism

Official Synopsis

In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.

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