The film follows heteronormative patterns common to 1960s Westerns. It lacks explicit depictions of queer identities or non-cisnormative romantic dynamics.

Belle Starr disrupts traditional hierarchies by out-shooting and out-gambling men. She possesses high agency and autonomy, moving far beyond the era's standard submissive femininity.

The cast is predominantly white, reflecting the homogeneous social structures of the American frontier. There is a lack of diverse ethnic perspectives or color-blind casting.

The narrative deconstructs Western institutions by framing outlawry as a means of survival. It prioritizes individual agency over the rigid moralities of law and order.

There are no prominent depictions of physical or neurodivergent disabilities that serve as significant character traits or drive the plot.