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Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution

Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution

Representation Score

6.8/10

Good

1922

Director

Dziga Vertov

Runtime

37 minutes

Average Rating

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New Showbiz Analysis

Dziga Vertov’s work succeeds in dismantling traditional social hierarchies by emphasizing a communal, class-based identity. By centering women in the workforce and representing diverse ethnic groups as a unified proletariat, the film offers a transformative view of social organization. However, the film's focus on the 'idealized worker' creates significant gaps. The absence of LGBTQ+ representation and the lack of focus on individuals with disabilities reflect a narrow definition of the revolutionary subject, prioritizing industrial utility over individual diversity.

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Category Breakdown

Does Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution have LGBTQ+ representation?

Minimal

The newsreel focuses entirely on class struggle and industrial progress, with no depiction of non-straight or non-cisgender identities or same-sex relationships within this historical context.

How does Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution portray gender?

Good

Women are shown as active participants in labor and civic life rather than in domestic roles. The montage emphasizes their role in driving the story forward.

How racially and ethnically diverse is Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution?

Good

The film portrays a multi-ethnic working class as a unified force through class solidarity. It prioritizes collective worker identity over individualistic or mono-ethnic narratives.

How does Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution represent religion and culture?

Excellent

The work critiques Western institutions such as monarchy and religion. It celebrates the dismantling of these structures in favor of a secular, industrial modernity.

Does Kino-Pravda No. 13: Yesterday, Today, Tomorrow. A Film Poem Dedicated to the October Revolution include disability representation?

Fair

Subjects are primarily presented through their capacity for industrial labor. People with visible disabilities are largely absent from the celebratory montage of the new state.

Present on Screen

  • Highlights women as active participants in labor and civic life, disrupting traditional domestic hierarchies.
  • Uses class solidarity to represent a multi-ethnic proletariat as a unified, collective force.
  • Provides a powerful critique of oppressive Western institutions like monarchy and religion.

Limited or Absent

  • Does not depict LGBTQ+ identities or non-straight/cisgender experiences.
  • Excludes individuals with visible disabilities by focusing almost exclusively on the idealized, able-bodied worker.

Official Synopsis

Dziga Vertov-directed Soviet newsreel. The first themed issue of Kino-Pravda, devoted to the fifth anniversary of the October Revolution in 1922.

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