The film lacks explicit LGBTQ+ characters or romantic orientations. However, the protagonist's arc centers on gender performance, using a male identity to navigate social spaces and gain intellectual access.

The film subverts traditional hierarchies by showcasing a female protagonist with superior intellectual and administrative skills. It frames the patriarchal church as a barrier to merit rather than a natural order.

The production maintains a homogeneous European cast consistent with its 1972 context and medieval setting. There is no evidence of intentional racial blending or color-blind casting.

The narrative offers a critique of the Catholic Church, portraying it as a rigid hierarchy that suppresses truth. The protagonist's deception is framed as a pursuit of agency against dogma.

There are no significant depictions of visible or invisible disabilities that drive the narrative or impact the characters' journeys.