The film lacks explicit LGBTQ+ characters or romantic orientations. However, the protagonist's sustained performance of a male identity offers a cinematic exploration of gender performativity and non-traditional identity.

The narrative subverts patriarchal hierarchies by placing a woman at the apex of the Vatican. It portrays the protagonist's intellect as superior to the men she outmaneuvers, deconstructing traditional masculine authority.

Set in the 9th century, the cast remains largely homogeneous. The protagonist's English extraction within a German and Vatican setting serves as a metaphor for the outsider's struggle against dominant structures.

The film critiques ecclesiastical hierarchy, prioritizing individual conscience over rigid dogma. It frames the Church as a site of political maneuvering and systemic corruption rather than purely spiritual guidance.

There are no prominent depictions of physical or neurodivergent disabilities that drive the narrative or serve as central character arcs.