
When Taekwondo Strikes
1973

1981
Director
Jin-Tae Kim, To Man-Bo
Runtime
75 minutes
Average Rating
No ratings yetSynopsis
While transporting funds for independence movement, Lee Han-saeng is shot in the legs by the Japanese military police. He recovers from his wounds with the help of Jang Geo-chil, an independence fighter, and his daughter, Wan-ah. When the Japanese police investigate Jang's house, Han-saeng and Jang take refuge in the home of Wan-ah's uncle. But he sells them out, blinded by his greed for the reward on their heads. They run and hide in kisaeng Ae-hi's home. Ae-hi and her sister Yu-ha desire revenge on the Japanese police who killed their father. But they are killed when Wan-ah's uncle turns them to the Japanese police while Han-saeng is away. When Jang and his wife are killed, Han-saeng takes revenge on the Japanese police.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks any visible LGBTQ+ characters or narratives addressing non-cisnormative identities. It appears to follow the traditional heteronormative structures typical of 1980s action cinema.
Gender Representation
Female characters like Wan-ah and the kisaeng sisters possess agency through their desire for revenge. However, their roles remain largely tethered to the central male protagonist's journey and the broader independence struggle.
Racial & Ethnic Diversity
The story centers on Korean independence fighters resisting Japanese colonial occupation. This ethnic focus provides a strong narrative of resistance against an external imperial power.
Religious & Cultural Diversity
The film critiques systemic oppression by portraying the Japanese military police as a corrupt institution. It focuses on the struggle for national sovereignty against a colonial state.
Disability Representation
The protagonist suffers leg injuries that require a recovery period. It is unclear if this provides a nuanced look at disability or serves merely as a standard plot device.
Strengths
Areas for Improvement
AI Analysis
Dragon Bruce Lee, Part II is a period action film that finds its strength in its ethnic and cultural themes. By centering the struggle of Korean independence fighters against Japanese military authority, the film offers a powerful narrative of resistance against colonial occupation. However, the film's diversity is limited by its adherence to traditional social structures. While women participate in the fight for justice, their arcs are often defined by tragedy or their connection to the male lead. The absence of queer representation and the lack of depth regarding physical disability further constrain the score. Ultimately, the film is a focused nationalist drama. It excels at portraying the tension between a colonized population and an imperial power but lacks intersectional breadth.

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