
The Whole Town's Talking
1935

Representation Score
Minimal
1935
NRDirector
Raoul Walsh
Runtime
62 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Baby Face Harrington is a quintessential product of its era, prioritizing genre momentum and comedic timing over social complexity. It uses established Prohibition-era clichés to tell a story of accidental criminality and individualistic pursuit of status. The film adheres to the traditional social structures of the mid-1930s. While it challenges legal authority, it does not address existing racial, gender, or social hierarchies, staying within the cinematic norms of the time.
Category Breakdown
The film does not include any LGBTQ+ characters or those with non-conforming gender identities. It focuses on traditional heterosexual relationships typical of the 1930s.
Women are present in the criminal underworld but are primarily tied to the male protagonist’s journey. The narrative reinforces 1930s gender stereotypes where men have the primary ability to act.
The cast is predominantly white, reflecting an Anglo-centric perspective. The story centers on a specific urban socioeconomic stratum without much racial or ethnic diversity.
The film explores the allure of easy money and anti-social behavior through a crime-comedy lens. It functions as a standard crime comedy without delving into deeper cultural or religious themes.
There is no representation of physical, sensory, or neurodivergent disabilities. The plot focuses solely on the action and humor of the crime-comedy narrative.
Present on Screen
Limited or Absent
Official Synopsis
Thanks to a series of comic mishaps, a timid, small-town office clerk finds himself wanted by the police and labeled by the media as "Public Enemy No. 2."

1935

1933

1924

1940

1940

1938

1931

1950
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