
The Sixth Side of the Pentagon
1968

Representation Score
Limited
1975
Director
João César Monteiro
Runtime
64 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The documentary centers on the tension between Portuguese workers and American military personnel. It uses direct interviews and cross-edited footage to highlight economic strain and political conflict. Women are present but largely reactive, while men define the political landscape. The cultural critique is strong, focusing on national independence and working-class solidarity. Racial dynamics are clear through the US-Portugal interaction. LGBTQ+ and disability topics are absent from the provided evidence.
Category Breakdown
No same-sex romance or LGBTQ+ characters appear in the footage or credits. Dialogue focuses on heterosexual encounters between Portuguese locals and American sailors. The narrative does not address sexual orientation or gender identity.
Women appear as workers, prostitutes, and interviewees discussing their lives. Men dominate the narrative as soldiers, workers, and authority figures. Female characters offer personal perspectives but do not drive the political structure.
American sailors and Portuguese locals interact directly throughout the film. The narrative contrasts the perspectives of foreign military personnel with local workers. Casting reflects the historical setting of US naval presence in Portugal.
The film explicitly critiques NATO, military occupation, and economic disparity. Workers describe hunger and exploitation by foreign forces. Traditional institutions like the church are questioned through ironic dialogue and visual juxtapositions.
No characters with ongoing disabilities are identified in the credits or dialogue. Physical ailments are not a focal point of the narrative or character development. The film does not address disability experiences.
Present on Screen
Limited or Absent
Official Synopsis
By cross-editing footage of Portuguese workers protesting against NATO forces and various movies, Monteiro shows how one 'sword' can confront the army.

1968

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1975

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1961
1991
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