The film follows a conventional heteronormative structure typical of 13th-century period adventures. There is no evidence of non-cisnormative gender identities or same-sex intimacy.

Female characters, such as Kublai Khan's daughter, primarily function as catalysts for the male protagonist's journey. The narrative lacks significant female agency, reinforcing mid-century tropes where women occupy secondary, reactive roles.

The film utilizes an international cast to depict Mongol, Chinese, and Middle Eastern populations. While diversity is present, it remains functional and serves the setting rather than providing deep character studies.

The story depicts the hierarchical structures of the Mongol Empire without critiquing these institutions. It follows the classic explorer archetype, which often reinforces Western perspectives of discovery.

There is no evidence of characters with visible or invisible disabilities being portrayed with agency. The narrative focus remains on physical prowess and adventure-driven conflict.