The narrative focuses on primal survival and heteronormative archetypes. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the story.

Women are frequently positioned as victims of systemic violence, such as the abductions by the Hell's Wind gang. While characters like Jun show agency in combat, roles often reinforce female vulnerability.

Traditional racial and ethnic markers are largely obscured by the post-apocalyptic setting. Identity is defined by factional tribalism, physical mutation, or cybernetic augmentation rather than diverse cultural heritage.

The film critiques Western-style civilization by depicting its total collapse. It presents a world where organized religion and stable capitalism are replaced by moral relativism and lawlessness.

Disability is framed through the lens of mutation and cybernetic enhancement. These non-normative bodies possess agency but are presented as products of a chaotic environment rather than social identities.