
Residente
2017

Representation Score
Good
2016
TV-14Director
Jorge Martínez, Javier Limón, Javier Urosas
Runtime
72 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Flight of the Guitar: Dreaming of Paco de Lucía is a sophisticated exploration of cultural interconnectedness. Instead of focusing on identity politics, it uses a musical instrument as a vehicle for global, multi-ethnic dialogue. The film successfully challenges conventional musical history by framing the Spanish guitar as a bridge between cultures rather than a symbol of national pride. The documentary effectively showcases the movement of art across diverse geographies. By tracing the guitar from Spain to the United States and Latin America, it challenges Western cultural dominance through the lens of musical legacy. While the film does not specifically represent LGBTQ+ identities or disabilities, its strength lies in its portrayal of a borderless, transnational exchange of art and influence.
Category Breakdown
The documentary focuses on the musical legacy of Paco de Lucía and the journey of his final guitar. It does not include explicit stories or arcs related to LGBTQ+ characters.
The film centers on a male maestro and his instrument, reflecting traditional musical histories. However, it includes diverse musical contributors, providing a broader perspective beyond male-dominated leadership.
The film highlights the movement of the guitar from Spain to Latin America and the US, featuring artists like Carlinhos Brown and Muñequitos de Matanzas, showcasing a broad range of racial and ethnic backgrounds.
The documentary celebrates a transnational musical exchange that breaks down boundaries between Europe and Latin America. It portrays cultural heritage as a shared, evolving global entity.
The film does not mention or depict characters dealing with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
This is the story of a trip between Spain and Latin America with a unique protagonist: the last guitar designed by the genius from Algeciras, which he never had the chance to unveil to the world. From Mallorca, Jerez de la Frontera and Lisbon to the United States and Latin America, this musical instrument has been travelling, keeping alive the magic of its master, Paco de Lucía. "La Maestro" flew from hand to hand; from those of Carlinhos Brown to those of Alejandro Sanz, stopping off at Tomatito’s or those of Muñequitos de Matanzas, delivering anecdotes, nostalgia and a lot of art along the way.

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