
Watermark
2013

Representation Score
Excellent
2006
UnratedDirector
Jennifer Baichwal
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Manufactured Landscapes is a visual study of global capitalism. It works by breaking down the idea of industrial progress and changing the viewer's perspective from the consumer to the place of production. The film's strength lies in its layered understanding of how economic power affects people physically. By focusing on non-Western contexts, it avoids idealizing industrial growth and highlights the broader costs of global consumption. While the film doesn't have personal stories about specific identities, its broad approach provides a strong critique of the systems that shape modern life.
Category Breakdown
The film doesn't include explicit stories about LGBTQ+ identities or non-straight relationships. Instead, it focuses on the industrial landscape and large-scale environmental changes.
The film shows workers in big factories without focusing on women's issues. It avoids traditional family roles by looking at the hard work of factory employees.
The film does well by highlighting the industrialization of China, moving away from Western views of development and challenging typical Western media portrayals.
The film offers a deep look at Western-driven consumerism and capitalist growth. It uses a post-colonial viewpoint to examine how the costs of modernity are passed onto other regions.
The film doesn't feature characters with diagnosed disabilities. However, it vividly shows the long-term physical effects of heavy labor and environmental exposure.
Present on Screen
Limited or Absent
Official Synopsis
MANUFACTURED LANDSCAPES is the striking new documentary on the world and work of renowned artist Edward Burtynsky. Internationally acclaimed for his large-scale photographs of “manufactured landscapes”—quarries, recycling yards, factories, mines and dams—Burtynsky creates stunningly beautiful art from civilization’s materials and debris.

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