The film adheres strictly to the heteronormative expectations of the early 19th century. There is no evidence of non-cisnormative gender identities or same-sex intimacy within the narrative.

Female characters like Natasha Rostova provide emotional resonance but operate within domestic spheres. Military and political agency remains almost exclusively the domain of male characters, reinforcing patriarchal structures.

The cast is predominantly white and Anglo-European, reflecting the film's focus on European aristocracy. It explores Russian and French identities within a largely homogeneous ethnic framework.

The film critiques Western imperialism by framing the French invasion as a disruptive force. However, the heavy use of Russian Orthodox imagery emphasizes traditional institutional values.

There is no meaningful depiction of visible or invisible disabilities. Characters suffering physical trauma are treated as casualties of war rather than individuals with specific identities.