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Jefferson in Paris

Name: Jefferson in Paris
Director: James Ivory
Released: 1995
Duration: 139 min

Representation Score

3.8/10

Limited

1995

PG-13

Director

James Ivory

Runtime

139 minutes

Average Rating

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New Showbiz Analysis

James Ivory’s period drama emphasizes historical accuracy and the complexities of class and gendered power. It disrupts the stereotype of passive women by highlighting their influence in high society. However, the film lacks modern diversity, focusing mainly on the dominant social classes and excluding non-traditional gender and racial identities. Ultimately, the film explores the clash between Enlightenment ideals and rigid social hierarchies, emphasizing the personal ethics of the aristocracy rather than broader social representation.

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Category Breakdown

Does Jefferson in Paris have LGBTQ+ representation?

Minimal

The film follows strict 19th-century social norms and does not include any LGBTQ+ identities or queer narratives.

How does Jefferson in Paris portray gender?

Good

The movie challenges traditional gender roles by showing women like Madame Récamier taking active roles in Parisian salon culture.

How racially and ethnically diverse is Jefferson in Paris?

Fair

Sally Hemings introduces important racial tensions and inequalities, but the focus remains on the white aristocracy.

How does Jefferson in Paris represent religion and culture?

Fair

The film subtly critiques the French aristocracy and the treatment of peasants. It focuses on personal morality and situational ethics.

Does Jefferson in Paris include disability representation?

Minimal

There are no visible or invisible disabilities shown in the main characters, and disability is not used as a narrative tool.

Present on Screen

Challenges the stereotype of passive women by depicting influential female figures in high society.
Highlights critical racial tensions through the complex presence of Sally Hemings.
Offers a nuanced look at gendered power dynamics among the Parisian elite.

Limited or Absent

Does not represent LGBTQ+ identities or non-traditional gender narratives.
Focuses narrowly on white aristocracy, limiting racial diversity and breadth.
Does not engage with disability either visually or narratively.

Official Synopsis

His wife having recently died, Thomas Jefferson accepts the post of United States ambassador to pre-revolutionary France, though he finds it difficult to adjust to life in a country where the aristocracy subjugates an increasingly restless peasantry. In Paris, he becomes smitten with cultured artist Maria Cosway, but, when his daughter visits from Virginia accompanied by her attractive slave, Sally Hemings, Jefferson's attentions are diverted.

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