
Not on the Lips
2003

Representation Score
Limited
1955
NRDirector
Ingmar Bergman
Runtime
109 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Bergman’s comedy serves as a character-driven study of psychological realism rather than a critique of social hierarchies. It successfully challenges rigid romantic expectations and explores complex interpersonal connections through a lens of moral relativism. However, the film is deeply rooted in its mid-century Swedish context. It lacks diversity, presenting a homogeneous cast and a strictly straight-centered framework of desire. Ultimately, while the film offers sophisticated psychological depth, it remains limited by the demographic and social realities of its era.
Category Breakdown
The film focuses solely on heterosexual relationships and does not include any same-sex intimacy or characters with non-conforming gender identities.
Women such as Desiree and Anne play active roles in pursuing their desires. The story explores gender power dynamics and challenges traditional masculine stability through psychological vulnerability.
The cast is uniform, reflecting the 1955 Swedish production context. The film lacks a diverse cast with actors from different backgrounds.
The story engages with moral relativism by prioritizing subjective emotional truths over religious doctrine. It favors a psychologically realistic view of domestic dysfunction over idealized family structures.
There are no visible or invisible disabilities that are central to the narrative or character development.
Present on Screen
Limited or Absent
Official Synopsis
Early in the 20th century, middle-aged lawyer Fredrik Egerman and his young wife, Anne, have still not consummated their marriage, while Fredrik's son finds himself increasingly attracted to his new stepmother. To make matters worse, Fredrik's old flame Desiree makes a public bet that she can seduce him at a romantic weekend retreat where four couples convene, swapping partners and pairing off in unexpected ways.

2003

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