
Don Juan Tenorio
1908

Representation Score
Minimal
1922
Director
Ricardo de Baños
Runtime
53 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Don Juan Tenorio (1922) is a traditional adaptation of a classic Romantic play. The narrative structure prioritizes moral redemption and reinforces established social hierarchies of the early 20th century. The film heavily relies on conventional themes, particularly regarding gender and religion. Male characters are defined by conquest, while female characters primarily serve as spiritual guides for male salvation. Overall, the work reinforces Western institutional values. It minimally disrupts the social and religious norms of its time.
Category Breakdown
The film focuses on a heterosexual relationship where the protagonist pursues women and finds salvation through a female counterpart. It does not include any characters with non-binary or transgender identities.
Don Juan exercises control through conquest and violence. Doña Inés is important but serves as a saintly figure used for male redemption rather than having her own independent role.
The production reflects the social structures of 19th-century Spain, focusing on Western European hierarchies with no evidence of racial diversity.
The plot emphasizes Christian morality as the ultimate correction to social wrongdoing. It upholds traditional Western values through the theme of religious salvation.
There are no visible or invisible disabilities depicted as central to the character arcs or the plot progression.
Present on Screen
Limited or Absent
Official Synopsis
Don Juan Tenorio makes a bet with a friend as to which of them will commit more outrages in a year. He wins, killing twirty-two men and seducing seventy-two women. In the end, however, he is saved from damnation through a return to true belief and the love of a saintly woman, Doña Inés.

1908

1955

1942

1976

1922

1927

1948

1920
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