
The Big Family
1962

Representation Score
Minimal
1965
Director
Fernando Palacios
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Fernando Palacios's work stands as a cornerstone of Mexican Golden Age cinema, emphasizing the preservation of established cultural norms. The film serves as a domestic chronicle that upholds the continuity of family lineage and patriarchal stability. It centers on the management of a large household through significant life events, such as births and deaths. While it provides a culturally specific glimpse into Mexican family life, it lacks progressive narrative elements. Overall, the film reinforces traditional social hierarchies rather than challenging them, presenting a conservative portrayal of domestic life and institutional values.
Category Breakdown
The film adheres to traditional 1960s social norms and does not include any representation of LGBTQ+ identities or narratives that question assumptions about gender and sexuality.
The story reinforces traditional gender roles, focusing on a male figure and the domestic responsibilities carried out by women after a mother's passing.
The plot revolves around a single, homogeneous family in a Latin American setting. It does not explore diverse racial backgrounds or blend different ethnicities.
The film highlights traditional family values and religious structures like the role of a godfather. It prioritizes the continuity of family traditions over questioning institutional norms.
There are no characters with visible or invisible disabilities featured in the narrative.
Present on Screen
Limited or Absent
Official Synopsis
The life of the family inordinate surveyor Carlos Alonso has undergone several changes over the course of the years: the birth of child number 16, little Maria, coincided with the death of the mother, who left behind a hollow refillable. The grandfather also died. The Godfather pastry married, and the boys have been growing rapidly ...

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