
The Family and One More
1965

Representation Score
Limited
1979
Director
Pedro Masó
Runtime
104 minutes
Average Rating
No ratings yetNew Showbiz Analysis
La familia bien, gracias operates as a conventional domestic comedy-drama that upholds the social norms of its time. The narrative centers on a male widower navigating his role within a large, traditional family structure. Because the film focuses on maintaining established kinship bonds and domestic stability, it does not challenge cultural power dynamics. The representation remains rooted in the mainstream, straight-centered, and homogeneous standards of late-1970s Spanish cinema.
Category Breakdown
The film does not include any queer narratives or characters with non-binary gender identities. It adheres strictly to the assumption that everyone is straight and cisgender, reflecting the norms of 1979 Spanish commercial cinema.
The story revolves around a male patriarch managing his large family, reinforcing traditional gender roles and masculine authority. It does not challenge conventional domestic roles or masculine dominance.
The production likely reflects a homogeneous Mediterranean population typical of its era. There is no indication of racial diversity or non-white actors in key roles.
The narrative emphasizes traditional Western values related to kinship and social stability. It focuses on maintaining domestic continuity and traditional social bonds within the family unit.
There is no information regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Sequel to "The Great Family" and "Family and one more". A widower and the godfather of his 16 children, aged two, wistfully contemplate the past. The father was left alone in the family home, but loneliness overwhelms him so he decides to spend some time at home for each of their children, most of whom are married. But the experience ends up being disastrous.

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