
Pas de Deux
1968

Representation Score
Fair
1960
Director
Alexander Hammid
Runtime
29 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Night Journey is a deep exploration of a woman's inner world, placing her psychological journey at the heart of the film. Through a stream-of-consciousness narration, it disrupts traditional storytelling structures and gives the protagonist significant control over the story. However, the film is limited by its historical context and artistic focus. It lacks explicit demographic diversity and does not include racial diversity or intentional ethnic blending in the cast. Overall, the film excels at challenging traditional gender roles and moral certainties, even though it doesn't include modern markers of identity or represent disabilities.
Category Breakdown
The film explores unconventional relationships through the lens of Greek tragedy, challenging traditional heterosexual norms. Although it doesn't explicitly mention LGBTQ+ identities, the subtext questions these norms.
The movie focuses on a woman's psychological journey, giving her significant control over the story. Jocasta, the main character, demonstrates strong intellectual and emotional independence.
The production features a specialized dance ensemble typical of mid-century avant-garde works. There is no indication of intentional racial diversity or the subversion of traditional casting norms.
The film breaks down traditional morality by emphasizing subjective truths over didactic teachings. The ensemble acts as a social chorus, imposing fear and societal pressure on the protagonist.
The film emphasizes choreographed movements and abstract psychological themes. It does not depict physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Night Journey, the dance, had its premiere only two and a half years after Appalachian Spring, and it is a close cousin. It too has a stream-of-consciousness narration: Jocasta, as she is about to kill herself, remembering what has happened to her. It too contains soul-delving solos, broken up by ensemble dances. Here, however, the ensemble is a darker element. As the story was taken from Greek tragedy, so the corps is the equivalent of Greek tragedy’s chorus. They tell us how to feel: afraid mostly. In this piece Graham pushed her habitual economy to its limits.

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