
Not Quite Human
1987

Representation Score
Fair
1982
Director
Noel Black
Runtime
60 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film functions primarily as a speculative critique of the nuclear family and the commodification of emotional labor. It uses a science fiction premise to examine how technology can attempt to replace organic human connections. While the narrative deconstructs traditional domestic norms, it does so through a very narrow lens, focusing on a homogeneous Western family unit. Ultimately, the work serves as a cautionary tale about technological intrusion into the home rather than a vehicle for diverse representation.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. The story focuses entirely on reconstructing a traditional maternal role through technology.
Gender is explored through functional femininity. The android is designed to perform programmable maternal tasks, reinforcing womanhood as a service-oriented role.
The narrative centers on a conventional Western family. There is no evidence of a diverse or non-Anglo-Saxon majority cast.
The film critiques Western consumerism by showing how capitalism mediates sacred institutions like parenthood. It explores moral relativism regarding family structures.
The film addresses psychological trauma and grief, but lacks characters with visible or invisible disabilities portrayed with real power.
Present on Screen
Limited or Absent
Official Synopsis
To a family whose children are traumatized by the death of their mother, help comes in a most bizarre way. They receive three pieces, that when joined together, give a recording for an offer for an electric grandmother. They go to a bizarre factory, where they customize their new grandmother, and within a short time, she arrives. The android is equipped with everything needed as a parent and the boys are charmed. The daughter, however, still misses her mother and she bears no welcome for this interloper.

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