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Not Quite Human II

Not Quite Human II

1989

NR

Director

Eric Luke

Runtime

91 minutes

Average Rating

No ratings yet

Synopsis

Chip, the android boy is back. This time, he is off to college, suffering from a computer virus and in love with Roberta, another android. Will there be a happy ending?

Where to Watch

Diversity & Representation

Overall Score

3.2/10

Limited


Category Breakdown

LGBTQ+ Representation

Limited

The romantic arc between Chip and Roberta follows a heteronormative structure. There is no evidence of queer subtext or non-cisnormative identities within the narrative.

Gender Representation

Fair

Roberta serves as a central emotional figure, yet the film adheres to standard comedic tropes. It does not explicitly subvert traditional gender hierarchies or roles.

Racial & Ethnic Diversity

Limited

The film uses androids as a metaphor for 'otherness' but lacks intentional multicultural integration. Casting and character compositions align with standard 1980s demographic norms.

Religious & Cultural Diversity

Limited

The story follows conventional Western social milestones like college life and romance. It reinforces standard moral frameworks rather than challenging institutional or religious norms.

Disability Representation

Limited

A computer virus acts as a plot device for physical impairment. This malfunction trope lacks the nuance required to represent lived experiences of disability or neurodivergence.

Strengths

  • Uses science fiction tropes to explore themes of identity and belonging.
  • Provides a metaphorical look at 'otherness' through the lens of android existence.

Areas for Improvement

  • Relies on functional plot devices, like the computer virus, rather than nuanced disability representation.
  • Lacks intentional multicultural integration or diverse casting.
  • Adheres to heteronormative romantic structures without exploring queer identities.
  • Follows traditional gender roles and comedic tropes of the era.

AI Analysis

Not Quite Human II operates as a standard genre comedy that uses science fiction to explore the concept of being an outsider. While the android protagonists provide a metaphorical lens for identity, the film stays within the safe, conventional boundaries of late-80s family media. The narrative prioritizes lighthearted tropes over systemic critique. It focuses on personal milestones and romantic connections rather than engaging with complex intersectional identities or social hierarchies. Ultimately, the film functions as a period-typical production that uses its sci-fi premise for plot-driven vulnerability rather than meaningful social representation.

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