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The Set

The Set

Representation Score

5.6/10

Fair

1970

Director

Frank Brittain

Runtime

102 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The Set is a character-driven drama that excels in exploring sexual identity and class mobility. By centering a queer relationship, it offers a progressive perspective on intimacy for its time. However, the film's social scope is limited by a lack of racial diversity, focusing primarily on an Anglo-centric art society.

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Category Breakdown

Does The Set have LGBTQ+ representation?

Excellent

The film centers a homosexual affair between Paul and Tony Brown, placing queer intimacy at the heart of the protagonist's journey. This inclusion challenges traditional assumptions about relationships.

How does The Set portray gender?

Fair

Marie Rosefield serves as a professional mentor, challenging traditional gender roles in the arts. Female characters like Cara and Peggy navigate complex, non-traditional romantic relationships that go beyond typical domestic scenarios.

How racially and ethnically diverse is The Set?

Limited

The narrative focuses on a predominantly Anglo-centric social circle within Sydney's art society. There is little evidence of ethnic plurality among the primary characters described.

How does The Set represent religion and culture?

Good

The story explores social mobility and the breaking down of class boundaries. It emphasizes individual desires and moral relativism over traditional values like stable marriage.

Does The Set include disability representation?

Minimal

The film does not include any characters with visible or invisible disabilities.

Present on Screen

  • Centers a queer relationship between the protagonist and an art student.
  • Challenges traditional gender roles through a female professional mentor.
  • Provides a nuanced look at class boundaries and social mobility.

Limited or Absent

  • Lacks visible racial and ethnic diversity among the main characters.
  • Does not include any characters with disabilities.

Official Synopsis

Paul Lawrence is a working class man who dates Cara, sells shirts at a Sydney department store, and dreams of attending art school. Cara leaves for London and Paul becomes the protege of designer Marie Rosefield. Through this he enters the 'set', the world of Sydney art society. Rosefield is friends with Mark Broniski, an artist who commissions Paul to design a set for British stage director, John L. Fredericks. Paul is helped by art student Tony Brown, who is dating Paul's cousin, Kim Sylvester. Paul and Tony begin a homosexual affair. Kim's mother Peggy has an affair with Boronoski.

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