The Set
1970
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Diversity score: 5.5 out of 10
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The Alley Cats
1966
Director
Radley Metzger
Runtime
83 minutes
Average Rating
No ratings yetSynopsis
Amid Europe's superwealthy jet set, lovely Leslie (Anne Arthur) feels neglected by her cheating fiancé, Logan (Charlie Hickman). She gets even by pursuing a few dalliances of her own and, in the process, falls for a gorgeous lesbian socialite (Sabrina Koch). Slip on your oversized sunglasses and slide back to the swinging '60s for director Radley Metzger's fab erotic confection, a shocker at the time of its initial release.
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Diversity & Representation
Overall Score
5.8/10
Fair
Category Breakdown
LGBTQ+ Representation
The film centers on a lesbian romance between Leslie and a socialite. This high-status depiction of same-sex intimacy challenges the heteronormative domestic tropes of the 1960s.
Gender Representation
Leslie is portrayed as an active agent of her own desire rather than a passive victim. The narrative shifts power away from her unfaithful fiancé toward female self-actualization.
Racial & Ethnic Diversity
The casting reflects a homogeneous, Eurocentric social elite typical of the era. There is no evidence of significant racial blending within this high-society setting.
Religious & Cultural Diversity
The story prioritizes individual gratification and moral fluidity over traditional social contracts. It explores a secular, hedonistic lifestyle that subverts standard Western moralities.
Disability Representation
The film provides no visible evidence regarding the portrayal of physical or neurodivergent disabilities.
Strengths
- Provides a rare, high-status depiction of lesbian intimacy and romance.
- Subverts traditional gender tropes by granting the female protagonist agency.
- Challenges 1960s social norms through themes of moral fluidity.
Areas for Improvement
- Lacks racial diversity, reflecting a homogeneous Eurocentric social elite.
- Maintains a narrow demographic focus typical of mid-century high-society dramas.
AI Analysis
Radley Metzger’s film is a progressive outlier for 1966, primarily due to its sophisticated handling of queer identity and female autonomy. By centering a lesbian connection within the glamorous jet set, the film moves beyond mere scandal to offer a rare look at same-sex agency. However, the production remains tethered to the era's social limitations regarding race. The focus on a Eurocentric, wealthy elite results in a lack of racial diversity, which prevents a higher overall score. Ultimately, the film succeeds as a subversion of traditional gender and romantic hierarchies, even if it remains culturally narrow in its demographic scope.
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