
The Quick Gun
1964

Representation Score
Minimal
1964
UnratedDirector
Sergio Bergonzelli
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Last Gun is a traditional Western film that adheres to the social norms of the mid-20th century. Instead of challenging these norms, the film reinforces them through its portrayal of women as passive victims of violence. The film lacks character arcs driven by personal growth and diverse identity frameworks. Its dark, unsettling style enhances tension but does not offer progressive representation. Ultimately, the film remains a conventional Western that does not incorporate perspectives that reflect multiple aspects of identity or address systemic power imbalances.
Category Breakdown
The film does not include any LGBTQ+ characters or non-cisgender identities, sticking closely to the traditional social norms of the 1960s Western genre.
Women in the film have little control over their actions and are often portrayed as victims of systemic violence. They are not given significant roles in driving the plot forward.
The story lacks specific references to diverse ethnic identities, even though it is set in Arizona. It seems to favor a homogeneous cast typical of the time period.
The storyline follows a conventional morality tale where a hero battles a criminal gang. It upholds traditional Western ideals of justice and individual bravery.
There are no characters with visible or invisible disabilities mentioned in the film.
Present on Screen
Limited or Absent
Official Synopsis
A famous gunfighter gives up his evil ways, and settles in a quiet town. But, the town is being terrorized by a gang, drawing our hero back to gunslinging, but this time in the name of good.

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