
The Swamp
2020

2016
Director
Martin Durkin
Runtime
71 minutes
Average Rating
No ratings yetSynopsis
A feature-length documentary to show why Britain should vote to LEAVE the EU - and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film lacks any discernible focus on LGBTQ+ narratives or non-cisnormative identities. The strictly geopolitical subject matter results in a near-total absence of queer-coded storytelling.
Gender Representation
The documentary features a standard distribution of male and female commentators. However, the narrative does not seek to subvert traditional gender hierarchies or use gender as a lens for social critique.
Racial & Ethnic Diversity
The visual and narrative focus remains on an Anglo-centric concept of national sovereignty. It does not utilize diverse casting or intersectional identity politics to drive its political argument.
Religious & Cultural Diversity
The film's core aligns with traditional Western institutionalism and the preservation of the nation-state. It prioritizes national self-determination over postmodern critiques of borders or anti-Western frameworks.
Disability Representation
There is no evidence of intentional representation regarding neurodivergence, physical disabilities, or mental health. Socioeconomic status is used as a driver rather than disability.
Strengths
Areas for Improvement
AI Analysis
Brexit: The Movie is a political polemic that prioritizes national sovereignty and the critique of supranational governance over identity-based storytelling. Its narrative architecture is designed to challenge the legitimacy of the European Union, framing it as a detached bureaucracy that undermines local democratic agency. Because the film focuses on the reclamation of domestic control and the protection of traditional statehood, it operates in opposition to progressive frameworks like intersectionality. The lack of diverse representation is a byproduct of its specific focus on legal and political autonomy. Ultimately, the work seeks to fortify the traditional boundaries of the nation-state. It does not engage with post-colonialism or queer theory, making it a low-scoring entry regarding progressive media inclusion.

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