
The Majordomo
1965

Representation Score
Fair
1959
Director
Claude Autant-Lara
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film serves as a critique of bourgeois hypocrisy and traditional social structures. It avoids sentimental clichés, using a framework of systemic trauma and moral ambiguity to challenge the era's cinematic norms. While the historical context limits demographic variety, the narrative structure is progressive in its deconstruction of the domestic sphere. It replaces the 'positive family' cliché with a study of resentment and betrayal. Ultimately, the work uses the chaos of the Prussian occupation to expose the fragility of social stability and the corruption inherent in local and state institutions.
Category Breakdown
The film does not include explicit LGBTQ+ characters or identities. The narrative centers on wartime trauma and family conflicts.
The story challenges traditional gender roles by focusing on the traumatic experiences of a mother figure. Male characters are shown as vulnerable, cowardly, or predatory.
Set in 1870s France, the film reflects the homogeneous demographics of the time. There is no indication of non-white or diverse casting.
The narrative criticizes traditional institutions and social structures. It portrays the state and local social orders as sources of corruption and instability.
There are no visible depictions of physical or neurodivergent disabilities in the story.
Present on Screen
Limited or Absent
Official Synopsis
A green mare makes the fortune of her owner, the horse dealer Haudouin. Shortly after his death, war broke out in 1870. One day, his neighbor Zèphe Maloret denounces Honoré, Haudouin's son, a maverick, to the Prussians. Following this denunciation, their non-commissioned officer enters the Haudouin home and rapes the mother while Honoré is hidden under the bed. The resentment already existing between the Haudouin and Maloret families turns to hatred... A letter recalling the events is lost, which doesn't help matters.

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