
One Hundred Days After Childhood
1975

Representation Score
Limited
1960
Director
Yakov Segel
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Farewell, Doves is a traditional coming-of-age story that emphasizes social maturity through conventional romantic and vocational themes. The narrative structure focuses on the protagonist's transition from childhood to adulthood. While the film captures mid-century themes effectively, it lacks complexity in representing diverse identities. The character dynamics and social themes align closely with the standard dramatic archetypes of 1960s Soviet cinema.
Category Breakdown
The film focuses on a traditional coming-of-age story centered around heterosexual relationships. There are no representations of LGBTQ+ identities or subtexts.
The story follows a male protagonist's journey through traditional gender roles. Tanya supports Genka's transition into adulthood, fitting into conventional dramatic roles.
The film reflects the homogeneous demographics typical of its Soviet-era setting. There is no indication of multi-ethnic casting or diverse ethnic representation.
The narrative highlights the balance between personal interests and social responsibilities. It emphasizes the importance of integrating into society and entering the workforce over individual pursuits.
The film does not depict or mention physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Genka Sakhnenko, a seventeen-year-old boy, has been passionate about pigeon breeding since childhood. But he begins to make a living, falls in love with the girl Tanya and realizes that it is time to leave his childhood hobbies.

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