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One Hundred Days After Childhood

Name: One Hundred Days After Childhood
Director: Sergey Solovyov
Released: 1975
Duration: 94 min

Representation Score

1.9/10

Minimal

1975

Director

Sergey Solovyov

Runtime

94 minutes

Average Rating

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New Showbiz Analysis

Solovyov's film is a poetic exploration of adolescence that emphasizes sensory experiences and personal perceptions. It captures the fleeting moments of memory and the emotional intricacies of youth through a unique lens of poetic realism. The narrative concentrates on character studies from a specific historical context, avoiding the deconstruction of social hierarchies seen in modern works. The film prioritizes the inner worlds of its characters over the inclusion of diverse identities or overlapping aspects of identity. Ultimately, the film stands as a lyrical coming-of-age story. It reflects the cultural and demographic uniformity of its mid-20th-century Russian setting without challenging broader social structures.

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Category Breakdown

Does One Hundred Days After Childhood have LGBTQ+ representation?

Minimal

The film explores adolescent crushes within a traditional Soviet summer camp. There are no representations of same-sex relationships or non-binary gender identities.

How does One Hundred Days After Childhood portray gender?

Fair

The story revolves around a male protagonist's journey through adolescence. Female characters have emotional depth but conform to the gender roles of the time.

How racially and ethnically diverse is One Hundred Days After Childhood?

Limited

The cast reflects the demographic makeup of a specific Soviet provincial area. The film does not explore racial diversity or use actors from different backgrounds.

How does One Hundred Days After Childhood represent religion and culture?

Fair

The film is set in a secular Soviet environment without any religious institutions. It focuses on the human experience rather than critiquing societal structures.

Does One Hundred Days After Childhood include disability representation?

Minimal

There are no significant portrayals of physical or cognitive disabilities that influence the plot or define key characters.

Present on Screen

Offers deep emotional complexity for both male and female adolescent characters.
Presents a highly aesthetic and poetic approach to the coming-of-age genre.
Captures nuanced sensory experiences and internal psychological landscapes of youth.

Limited or Absent

Does not include representations of non-binary gender identities or same-sex relationships.
Reflects a limited racial and ethnic scope.
Adheres to the traditional gender roles of the mid-20th century.

Official Synopsis

Pioneer leader Serge, a sculptor, decides to work in a new plastic material, among creatively gifted children in a camp located in an old mansion. Pioneer Lopukhin is so in love with his classmate Ergolina that he does not notice how fascinated Sonya Zagremukhina is with him. Showing their emotions and moods helps their participation in the production of the play "Masquerade" by Lermontov, and the play itself imperceptibly turns into a drama with unexpected confessions, insults, jealousy, and outbursts.

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