
Apostle Peter and the Last Supper
2013

2004
Director
Giorgio Capitani
Runtime
180 minutes
Average Rating
No ratings yetSynopsis
Cascia, 14th century, Rita Liotti falls in love, gets married and has two children. Her dream of love is soon hindered by a masculine and violent society, that Rita faces with peace and forgiveness. When she loses her husband and her children, she understands she has a mission: pursuing her path of peace, that will lead her to take the vows, and then to become Saint. Rita is a Saint of these days, who lived in a very violent age and was so brave to break free from the vengeance chain, through a deep, sincere and christian forgiveness. She is a particular Saint, talking to everybody’s hearts, as she was everything. She was a daugher, a wife, a mother and a nun, she experienced every sort of life, and in all her different lives she was a living model of christian life.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film centers on a heteronormative lifecycle involving marriage and motherhood. There is no evidence of non-cisnormative identities or critiques of traditional social structures.
Gender Representation
Rita navigates a violent, masculine society through peace and forgiveness. While she shows immense resilience, her arc follows traditional roles of daughter, wife, mother, and nun.
Racial & Ethnic Diversity
Set in 14th-century Italy, the film focuses on a specific European historical context. The narrative appears centered on a culturally homogeneous setting.
Religious & Cultural Diversity
The story is deeply embedded in Western Christian values. It positions religious vocation and Christian forgiveness as the primary resolutions to systemic violence.
Disability Representation
The narrative does not mention characters navigating physical, neurodivergent, or mental health disabilities.
Strengths
Areas for Improvement
AI Analysis
Saint Rita is a classical biographical drama that prioritizes historical and religious traditionalism. It functions as a hagiography, focusing on the spiritual journey of a woman within a strictly defined 14th-century Italian framework. The film reinforces established social and spiritual hierarchies rather than challenging them. The protagonist's strength is found in her adherence to religious devotion and traditional family roles rather than the subversion of patriarchal norms. Ultimately, the film serves as a moral portrait of sainthood, emphasizing historical fidelity and traditionalist values over intersectional or postmodern perspectives.

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