The film lacks any indication of LGBTQ+ characters or non-heteronormative identities. The central romantic connection is the heterosexual relationship between Fernando and Veronica.

Veronica provides professional agency as a reporter involved in the investigation. However, her character is primarily defined by her romantic relationship with the male lead.

As a Mexican production, the film centers on local protagonists and indigenous landmarks. This offers a non-Anglo-centric perspective within the thriller genre.

The narrative utilizes the cultural mythos of Santo to drive justice. It centers a non-Western icon as a primary agent of stability within the story.

There is no evidence of characters with visible or invisible disabilities. No such figures are portrayed with agency or central to the plot.