
Man Wanted
1932

Representation Score
Fair
1924
Not RatedDirector
Yuri Zhelyabuzhsky
Runtime
113 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film transitions from traditional romantic narratives to a more class-conscious exploration of identity. It effectively centers the experiences of working-class individuals and empowers women within a changing social landscape. However, the film does not include explicit representations of LGBTQ+ characters or disability. Its focus remains on traditional romantic dynamics and class-based social shifts. Overall, the work marks a significant departure from early 20th-century cinematic norms by emphasizing the realities of modern, industrial life over traditional courtship.
Category Breakdown
The story revolves around a traditional love triangle involving Maria, Nikodim, and Zina. There are no LGBTQ+ characters or non-straight identities explicitly shown.
Female characters play key roles in both the romantic and professional aspects of the plot. The film showcases a range of female roles, from the domestic aspirations of an office worker to the professional success of a street vendor.
The appearance of an American businessman in Moscow adds a cosmopolitan element, providing a context for exploring interactions between different cultures within a local setting.
The film highlights the lives of working-class individuals rather than the aristocracy, focusing on the economic changes during the Mosselprom period. It challenges traditional romantic clichés through a lens of labor and class.
There are no characters with visible or invisible disabilities mentioned in the story.
Present on Screen
Limited or Absent
Official Synopsis
As she works in her tedious office job, Maria Ivanovna dreams about being married, and she has particular hopes that her co-worker Nikodim Mityushin will take an interest in her. Nikodim, though, is in love with Zina, who sells cigarettes on the sidewalk, and he frequently buys cigarettes from her even though he does not smoke. One day, a film crew uses Zina as an extra in an outdoor scene, and the cameraman, Latugin, falls in love with her. Latugin soon arranges an acting job for Zina. To complicate matters further, Zina has yet another admirer in Oliver MacBride, an American businessman who is visiting Moscow.

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