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Be My Wife

Name: Be My Wife
Director: Max Linder
Released: 1921
Duration: 57 min

Representation Score

0.5/10

Minimal

1921

Not Rated

Director

Max Linder

Runtime

57 minutes

Average Rating

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New Showbiz Analysis

Be My Wife is a period-appropriate comedy that adheres to the traditional social and cinematic norms of the early 1920s. It emphasizes situational farce and romantic pursuit without engaging in social critique. The film does not intentionally address power dynamics related to identity. While it touches on class and legal issues during Prohibition, it does so through a comedic lens that upholds the status quo. Overall, the film reflects the homogeneous and conventional norms of its time, lacking diverse representation or systemic challenges.

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Category Breakdown

Does Be My Wife have LGBTQ+ representation?

Minimal

The film does not include any characters who identify as LGBTQ+. The plot revolves around a traditional romance between Max and Mary.

How does Be My Wife portray gender?

Limited

Madam Coralie is a powerful female figure, but the story centers on a male protagonist's journey. Aunt Agatha represents a traditional family authority figure.

How racially and ethnically diverse is Be My Wife?

Minimal

The film reflects the homogenous casting practices common in early silent cinema. There is no indication of diverse casting or challenging racial stereotypes.

How does Be My Wife represent religion and culture?

Limited

The story addresses class and Prohibition-era issues through comedy, focusing on situational humor rather than a critical examination of societal structures.

Does Be My Wife include disability representation?

Minimal

There is no mention of characters with visible or invisible disabilities in the narrative.

Present on Screen

Madam Coralie introduces a powerful female character with economic influence.
The narrative engages with the social and legal tensions of the Prohibition era.

Limited or Absent

The film lacks representation of LGBTQ+ identities or themes.
There is no evidence of racial or ethnic diversity in the casting.
The narrative follows traditional gender roles and familial hierarchies.

Official Synopsis

Max is determined to woo Mary, despite her Aunt Agatha's disapproval. Then, Max and Mary become embroiled in the world of Madam Coralie, a prominent dressmaker-bootlegger.

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