
Tarzan, the Ape Man
1959

Representation Score
Minimal
1921
NRDirector
Scott Sidney, Robert F. Hill
Runtime
150 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film reflects the historical context of 1921, focusing on colonialist adventure clichés without diverse character development. It upholds traditional hierarchies favoring a white protagonist and conventional gender roles. Narrative ability to act is largely given to the main character, while women and indigenous groups have limited roles or are portrayed negatively. This structure supports the social norms of the early 20th century without challenging them. Overall, the film reinforces racial and cultural biases of the time, offering little space for nuanced or multi-layered representation.
Category Breakdown
The film does not include any LGBTQ+ characters or expressions that go beyond traditional heterosexual relationships. Romantic relationships are strictly between opposite-sex partners.
Female characters mainly play passive roles, often needing rescue. Masculinity is shown through physical strength and leadership roles.
The story centers around a white, Anglo-Saxon protagonist who serves as a 'white savior.' Indigenous peoples are used as background elements or obstacles without much depth.
The narrative presents non-Western cultures and religions as exotic or antagonistic. It emphasizes the superiority of Western explorers in unfamiliar lands.
There are no characters with visible or invisible disabilities. The focus is on physical strength and survival skills.
Present on Screen
Limited or Absent
Official Synopsis
Tarzan spurns the love of La, Queen of Opar. When he isn't trying to keep the Bolshevik Rokoff and Clayton (pretender to the Greystoke estate) from reaching Opar, he is attacked simultaneously by two lions, dropped into a pit when a volcano splits the ground, nearly sacrificed by sun worshipers, and so on.

1959

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1950
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