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Last of the Pagans

Name: Last of the Pagans
Director: Richard Thorpe
Released: 1935
Duration: 70 min

Representation Score

2.9/10

Limited

1935

Passed

Director

Richard Thorpe

Runtime

70 minutes

Average Rating

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New Showbiz Analysis

Last of the Pagans includes a racially diverse cast centered around South Sea Islanders, moving away from the Eurocentric focus common in 1930s Hollywood. However, the film likely leans on the romanticized clichés of 1930s adventure cinema, emphasizing escapism and exoticism over a deeper exploration of indigenous experiences. Ultimately, the film operates within the traditional frameworks of its time, showing no signs of challenging established social hierarchies or exploring multi-layered complexities.

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Category Breakdown

Does Last of the Pagans have LGBTQ+ representation?

Limited

The film focuses on a romantic relationship between two South Sea Islanders. There are no indications of LGBTQ+ identities or themes within the story.

How does Last of the Pagans portray gender?

Fair

The story follows a romantic drama structure typical of the 1930s. It likely upholds traditional gender roles and social hierarchies of the era.

How racially and ethnically diverse is Last of the Pagans?

Fair

The film features a predominantly non-white cast as its main characters. This contrasts with the Eurocentric casts common in 1930s Hollywood.

How does Last of the Pagans represent religion and culture?

Limited

The film sets its story in an indigenous South Sea culture. However, it likely portrays this culture through an exoticized lens rather than a deeper exploration of its traditions.

Does Last of the Pagans include disability representation?

Minimal

There is no information available regarding the portrayal of characters with disabilities in this film.

Present on Screen

The film centers its primary romantic and dramatic arcs on non-white protagonists.
It deviates from the Eurocentric focus prevalent in 1930s Hollywood.

Limited or Absent

The narrative likely relies on exoticized portrayals of indigenous cultures.
The film lacks evidence of subverting traditional gender roles or social hierarchies.
There is no indication of LGBTQ+ representation or non-straight identities.

Official Synopsis

Two South Sea Islanders fall in love, followed by a hurricane.

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