
House of Others
2016

2004
Director
Pjer Žalica
Runtime
93 minutes
Average Rating
No ratings yetSynopsis
Fuke visits his uncle Idriz and aunt Sabira to fix a broken boiler. He soon finds out there's a lot more that needs to be repaired. Idriz and Sabira aren't ready to accept the loss of their only son in the Balkan war, seven years earlier. When Fuke's car refuses to start, Fuke has to stay over in their house. He meets a lot of old friends and neighbors there.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on the domestic grief of a traditional family unit. There is no explicit presence of queer narratives or non-cisnormative identities within the plot.
Gender Representation
The film subverts patriarchal expectations by focusing on emotional vulnerability rather than heroic archetypes. It highlights the stagnation and communicative failures of its male characters.
Racial & Ethnic Diversity
Set in Sarajevo, the film offers a localized South Slavic perspective. This provides a meaningful departure from Western-centric cinematic norms through its specific Bosnian identity.
Religious & Cultural Diversity
The narrative critiques the stability of traditional institutions and social cohesion. It presents a postmodern view of existence where moral relativism replaces idealized, singular morality.
Disability Representation
Psychological trauma from the Balkan war serves as a central, invisible disability. However, the film lacks depictions of physical or neurodivergent characters with high agency.
Strengths
Areas for Improvement
AI Analysis
Days and Hours offers a nuanced look at the psychological residue of conflict. It succeeds by moving away from grand historical narratives to focus on the fragmented, human realities of post-war Sarajevo. The film's strength lies in its refusal to rely on traditional masculine tropes or idealized morality. Instead, the work explores the lethargy and moral ambiguity of a society struggling to find meaning. It prioritizes the internal, often invisible, scars of trauma over outward displays of strength or progress. While the film provides a vital localized perspective, it remains limited by its focus on a relatively homogeneous cast and a lack of explicit representation for queer or physically disabled identities.

2016

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