The film lacks any discernible LGBTQ+ characters or non-cisnormative identities. The narrative remains strictly centered on traditional military and survivalist dynamics typical of 1945 cinema.

The story is heavily male-centric, focusing on the agency and physical survival of soldiers. Women appear in secondary roles that do not challenge traditional gender hierarchies or demonstrate significant narrative agency.

The film presents a multi-national coalition of Allied forces and refugees. This diverse ensemble disrupts the expectation of a singular national perspective, reflecting the varied human landscape of the European theater.

The narrative prioritizes internationalist solidarity and collective resistance against totalitarianism. It explores the systemic collapse of state institutions through the lens of the underground resistance and refugee struggles.

There is no evidence of characters with visible or invisible disabilities serving as central narrative drivers. No specific agency is attributed to characters with disabilities within the story.