You are here:

Raphaël le tatoué

Name: Raphaël le tatoué
Director: Christian-Jaque
Released: 1939
Duration: 90 min

Representation Score

1.2/10

Minimal

1939

Director

Christian-Jaque

Runtime

90 minutes

Average Rating

No ratings yet

New Showbiz Analysis

Raphaël le tatoué is a traditional period comedy that uses the 'twin' cliché to create a story of deception. The narrative centers on established social hierarchies, focusing on the friction between a working-class employee and a dominant employer. The film reflects the typical demographic composition of 1930s French cinema. It emphasizes situational humor and masculine archetypes over complex representations of diversity or challenging traditional norms. While the film examines class-based tension within an industrial setting, it fails to move beyond the traditional social frameworks of its time.

Watch this, not that →

Category Breakdown

Does Raphaël le tatoué have LGBTQ+ representation?

Minimal

The film adheres to traditional heterosexual storylines common in 1930s comedies. There is no depiction of same-sex relationships or gender identities outside the norm.

How does Raphaël le tatoué portray gender?

Limited

Gender roles are traditional, with the female character primarily serving as a romantic interest. The story revolves around male characters, including the timid Modeste and the authoritative Roger Drapeau.

How racially and ethnically diverse is Raphaël le tatoué?

Minimal

The cast appears homogeneous, reflecting a localized European setting. There is no indication of diverse racial or ethnic backgrounds among the characters.

How does Raphaël le tatoué represent religion and culture?

Limited

The plot highlights class conflicts through situational comedy. However, it does not address Western institutions or provide cultural subversion.

Does Raphaël le tatoué include disability representation?

Minimal

There is no depiction of physical or cognitive disabilities in the film.

Present on Screen

Explores class-based tension between employees and authoritative employers.
Uses effective comedic clichés like mistaken identity and social maneuvering.

Limited or Absent

Needs more complex representations and challenges to traditional social norms.
Relies on narrow, traditional gender roles and heterosexual romantic structures.
Features a homogeneous cast with no visible racial or ethnic diversity.

Official Synopsis

Modeste is a timid watchman at an automobile factory which is run with an iron hand by its owner, Roger Drapeau. One evening, Modeste leaves his post to visit a fairground, where he meets the attractive Aline. Having glimpsed his employer, Modeste makes a hasty return to the factory. When Monsieur Drapeau appears, Modeste explains that it must have been his twin brother that his boss saw at the fairground, a nasty piece of work named Raphaël. Not only does Drapeau fail to see through this unconvincing lie, but it gives him an idea to win a marathon car race. Modeste and Raphaël will take alternate turns in the stages of the race and, because they are so similar, no one will be any the wiser. Unable to admit that he has no brother but afraid of losing his job, Modeste allows himself to be coerced into taking part in the race...

How are these scores produced? →